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MA ENGLISH LITERATURE

Tuesday, 26 May 2020

Most Impprtant Questions of Sarghoda university part 1

*Most Imp Qs of Sarghoda university Classical Poetry*:

*Chaucer*:
1: Attitude Towards Contemporary Church.
2: Art of Characteriz ation.
3: Analysis of Major Characters.
4: Attitude Towards Women.
(Must Do 1-3-4).

*John Donne*:
1: As a Metaphysical Poet.
2: As a Love Poet.
3: Divine Poet.


*Rape of the Lock*:
1: As a Social Satire.(vvvip).
2: As a Mock Epic.
3: Character of Belinda.(vip).


*Paradise Lost*:
1: Theme of Paradise Lost.
2: Who is the Hero of Paradise Lost?.
3: Character of Satan.
4: Milton's Grand Style.
     ******************
*Most Imp Qs of American Lit.*

*Richard Wilbur.*
1: *Critical Appreciations of Still Citizen Sparrow & After Last Bulletin.
2: As a Modern Poet.


Most Imp Qs of *John Ashbury.*
1: *Critical Appreciations of Melodic Train & The Painter.
2: As a Modern Poet.


Most Imp Qs of *Walt Whitman.*
1: Themes.
2: Critical Apprs of "To A Stranger" & "A Child Went Forth" & "O Captain".


Most Imp Qs of *Frost.*
1: Salient Features of Poetry.
2: As a Modern Poet.
3: Critical Apprs of *Apple Picking & Mending Wall & Road Not Taken.*
(Must Do 1 & 3).

Most Imp Qs of *The Crucible.*
1: A Modern Tragedy.
2: Themes OR Theme of Witchcraft.
3: Character of Proctor.


Most Imp Qs of *Mourning Becomes Electra.*
1: A Great Tragic Play.
2: Psycho-Analysis OR a Psychological Play.
3: Character of Lavinia.


Most Imp Qs of *Jazz.*
1: Thematic & Symbolic Signifance of Title OR Thematic & Symbolic Significance of Jazz Music.
2: As a Feminist Writer.
3: Themes, Motifs & Symbols.
4: Violet's Character OR Female characters in Jazz.
(Must Do 1-2-3).


Most Imp Qs of *Farewell to Arms.*
1: As an Autobiographical Novel.
2: Hero of Hemingway
    ******************
*Most Important Questions of Prose:*

Most Imp Qs of *Gulliver Travells:*
1: Social Satire (It also covers Allegory or Symbolism related Question).
2: Misanthrope.

Most Imp Qs of *Russel:*
1: Crusade against Dogmatism.
2: Function of a Teacher.
3: Prose Style.
4: Future of Mankind.

Most Imp Qs of *Edward Said:*
1: What is Culture & Imperialism?.
2: References of Novelists.

Most Imp Qs of *Bacon:*
1: Worldly Wisdom.
2: True Moralist.
3: Prose Style.
4: Critical Appr of the Essays of *Of Adversity, Of Great Places, Of Death, Of Friendship.*
    ******************
*Most Imp Qs of Novels:*

Most Imp Qs of *Pride & Prejudice:*
1: Title of the Novel.
2: Art of Characterization.
3: Limitations.
4: Character of Darcy & Elizabeth.
5: Theme of Love & Marriage.

Remarks: (Must Do 1-2-4-5).

Most Imp Qs of *Tale of two cities:*
1: Historical Novel.
2: Themes & Symbols.
3: Character of Alexander.
4: Social Reformer.

Remarks: (Must Do 1-2-3)

Most Imp Qs of *Tess:*
1: Is Tess a Pure Woman?
2: Art of Characterization.
3: Role of Nature OR Nature in Hardy's Novels.


Most Imp Qs of *Mill on the Floss:*
1: Character of Maggie.
2: Autobiographical Novel.
3: Eliot as an intellectual Novelist.
4: As a Tragedy.

Most Imp Qs of *Joseph Andrews:*
1: Parody of Pamela.
2: Parson Adam's Character.
3: Characterization.
(Q# 1-2 is most imp).


Friday, 22 May 2020

Second language acquisition

What is second level acquisition(SLA) in linguistics ?

Second language acquisition, or SLA, has two meanings. In a general sense it is a term to describe learning a second language. More specifically, it is the name of the theory of the process by which we acquire - or pick up - a second language. This is mainly a subconscious process which happens while we focus on communication. It can be compared with second language learning, which describes how formal language education helps us learn language through more conscious processes.

Example
A learner studying in an English-speaking country may have more success due to the language they acquire in their part-time job than with the language they learn in their class.

In the classroom
Implications for the language classroom include the ideas that the teacher can create contexts for communication which facilitate acquisition, that there is a natural order of acquisition of language, that there are affective filters which inhibit acquisition, especially for adults, and that comprehensible input is very important.


JOHN DONNE SHORT ANSWERS

SHORT ANSWERS - JOHN DONNE

Answer the following questions.

(i) What is John Donne considered to be?

Ans. John Donne (1572 - 1631) was an English poet and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. He is often considered the greatest love poet in the English language. He is also noted for his religious verse.

(ii) Define metaphysical poetry?

Ans. Metaphysical poetry is highly intellectualized poetry marked by bold and ingenious conceits, incongruous imagery, complexity and subtlety of though, frequent use of paradox, and often by deliberate harshness or rigidity of expression. John Donne, Henry Vaughan and Andrew Marvell are famous metaphysical poets.

(iii) What is a theme?

Ans. Theme is the main, fundamental and universal idea or an underlying meaning of a literary work that may be stated directly or indirectly. It unifies and controls the entire literary work. For example, the main theme in the play "Romeo and Juliet" is love with smaller themes of sacrifice, tragedy, struggle, hardship, devotion and so on.

(iv) What are some common themes in the poems of John Donne?

Ans. Love as both physical and spiritual, religion, death and the hereafter, paradoxes, belittling cosmic forces, interconnectedness of humanity, and fidelity are the common themes in the poem of John Donne.

(v) What is the difference between Donne's love poems and divine poems?

Ans. The theme of love poems and divine poems is different. Love poems describe three kinds of love; cynical, conjugal and Platonic. Divine poems describe two notes; the Catholic and the Anglican. However, the thought and spirit behind the two categories of poems is same.

(vi) What are the three moods of love in Donne's poems?

Ans. The first mood of love is cynical. It celebrates the physical appetite, notably presented in the "Elegies". The second mood of love is conjugal. It is a mutually enjoyed love between man and woman as found in "A Valediction: Forbidding Mourning". Thirdly, there is the Platonic love, as in "The Canonization", where love is regarded as a holy emotion like the worship of a devotee of God.

(vii) How does Donne distinguish between physical and spiritual love?

Ans. "Physical love" is the love that is primarily based upon the sensation or the presence of the beloved or that emphasizes sexuality whereas "spiritual love" is based on higher and more refined feelings than sensation. As a Metaphysical poet, Donne uses physical loved to evoke spiritual love.

(viii) What is a cynical love?

Ans. Cynicism is an attitude of scornful or jaded negativity, especially a general distrust of the integrity or professed motives of others. So cynical love is anti-woman and hostile to the fair sex. It indicates the frailty of man -- a matter of advantage for lovers who like casual and extra-marital relations with ladies.

(ix) How is Donne's life reflected in his poetry?

Ans. Several major events in Donne's life -- his marriage, his conversion to Anglicanism, his wife's early death, illness, and his elevation to the Deanship of St. Paul's -- can be seen in his poetry.

(x) How is death treated in Donne's poetry?

Ans. Death is treated both as a reality of life and as an abstract concept. For Donne death is not necessarily somber but provides a transition moment -- often a climax -- denoting a change of state. "Death Be Not Proud", personifies Death as a powerless being who cannot survive past the Resurrection; ultimately, all people will reach their metaphysical states.

(xi) What is an allusion?

Ans. An allusion is a casual reference to a person, place, event, or another passage of literature, often without explicit identification. Allusions can originate in mythology, biblical references, historical events, legends, geography, or earlier literary works. For example, "Don't act like a Romeo in front of her." - "Romeo" is a reference to Shakespeare's Romeo, a passionate lover of Juliet in "Romeo and Juliet".

(xii) What is a conceit?

Ans. Conceit is a figure of speech in which two vastly different objects are likened together with the help of similes, metaphors, imagery, hyperbole and oxymora. One of the most famous conceits is John Donne's "A Valediction: Forbidding Mourning", a poem in which Donne compares two souls in love to the points on a geometer's compass.

(xiii) What is hyperbole?

Ans. Hyperbole is the use of exaggeration as a rhetorical device or figure of speech. It is used to create emphasis on a situation. It may be used to evoke strong feelings or to create a strong impression, but is not to meant to be taken literally. For example, "I had to wait in the station for ten days - an eternity". (The Heart of Darkness by Joseph Conrad)

(xiv) Why do you mean by elegy?

Ans. An elegy is a mournful, melancholic or plaintive poem in the form of elegiac couplets. It is usually a funeral song or a lament for the dead. "Elegy Written in a Country Churchyard" by Thomas Gray and "When Lilacs Last in the Dooryard Bloom'd" by Walt Whitman are the most popular examples of elegy.

(xv) How many elegies did Donne write?

Ans. Donne wrote 20 elegies. These include: Jealosie, The Anagram, Change, The Perfume, His Picture, Oh, Let Me Not Serve, Natures Lay Ideot, The Comparison, The Autumnall, The Dreame, The Bracelet, His Parting From Her, Julia, A Tale of a Citizen and His Wife, The Expostulation, On His Mistris, Variety, Loves Progress, To His Mistris Going to Bed and Love Warr.


SOCIOLINGUISTICS

Sociolinguistics 🎄🌲🍁🍁🌹👇☺️🙋‍♂️

A term sociolinguistics is a derivational word. Two words that form it are sociology and linguistics. Sociology refers to a science of society; and linguistics refers to a science of language. A study of language from the perspective of society may be thought as linguistics plus sociology. Some investigators have found it to introduce a distinction between sociolinguistics and sociology of language. Some others regard sociolinguistics is often referred as the sociology of language.

Sociolinguistics is defined as:

The study that is concerned with the relationship between language and the context in which it is used. In other words, it studies the relationship between language and society. It explains we people speak differently in different social contexts. It discusses the social functions of language and the ways it is used to convey social meaning. All of the topics provides a lot of information about the language works, as well as about the social relationships in a community, and the way people signal aspects of their social identity through their language (Jenet Holmes, 2001)
The study that is concerned with the interaction of language and setting (Carol M. Eastman, 1975; 113).
the study that is concerned with investigating the relationship between language and society with the goal of a better understanding of the structure of language and of how languages function in communication ( Ronald Wardhaugh, 1986 : 12)
Socio-cultural Aspects

A group of people is required by both community and society. They communicate and interact between and another. They have a membership consciousness on the basis of the common goals and their behaviour is ordered and patterned. If they live in a given area, have the same culture and living styles, and can collectively act in their effort to reach a certain goal, they will be known as a community.

Not all groups of people occupying certain areas are known as societies; but they are known as communities such as those who are in local communities, schools, business firms, and kinship units; and they are only sub-systems of a society. Thus, society is any group of people being relatively self sufficient, living together in a long period of time, occupying a certain area, having the same culture, and conducting most of activities in the group.

Parsons (1966: 20) states that a society is in the first instance “politically organized”; it must have loyalties both to a sense of community and to some “corporate agency” of the kind we ordinarily consider governmental, and must established a relatively effective normative order within a territorial area.

A society in which some groups of people are living may show what we call social stratification. A term social stratification used to refer to any hierarchical ordering of group within a society (Trudgill, 1983).

A system of social stratification is not always similar to one another; it may be represented in castes (such as in India); it may be represented in different social classes: high class, middle class, and lower class (such in United States); and it may be represented in some terms such as: elite group vs. common people, “kawula vs. gusti” (such as in Indonesia). A society in which its members are stratified shows social classes followed by social status and role.

Social class may be defined primarily by wealth, or by circumstances of birth, or by occupation, or by criteria specific to the group under investigation. If wealth is a criterion, this may be calculated in terms of money, or in terms of how many pigs, sheep, or blankets an individual or family possesses, or how much land they claim. Social status is often largely determined by social class membership (Troike and Blackwell, 1982: 87).

A married man automatically has a status as a husband of his wife and as a father of child(ren); in his office, he may be a director; and in his neighbourhood, he may be a religious leader. According to Soerjono Soekanto, social role is a dynamic aspect of status ( Soekanto, 1982: 236-237).

Thus, the man has three statuses: as a father, a director, and a religious leader. When he fulfils his duties and responsibilities in accordance with his single status, he plays one role. Whatever the groups are called, each of them must occupy a position in a social rank or have a social status. Therefore, a member of a given social rank or social status plays a role in accordance with his status.

Social relationships among people in society are based on some rules, values, etiquette, etc. In communication, for instance, people are ordered by rules (of speaking); they are guided by values (of how to behave in a good manner) than can be conducted through etiquette (of using a language).

Social Units of Language Use

a. Speech Community
Speech refers a surrogate for forms of language, including writing, song and speech-derived whistling, drumming, horn calling and the like (Hymes, in Gumperz and Dell Hymes, eds.,1972: 53). An important concept in the discussion of communication is the speech community. It refers to a group of people who use the same system of speech signals. Another definition of the speech community is any human aggregate characterized by means of a shared body of verbal signs and set off from similar aggregates by significant differences in language use (John T. Plat and H.K. Plat, 1975: 33).
Troike and Blackweel state that speech community must meet three criteria: (1) it is any group within a society which has anything significant in common (including religion, ethnicity, race, age, deafness, sexual orientation, or occupation), (2) it is a physically bounded unit of people having range of role-opportunities (a politically organized tribe or nation), (3) it is a collection of similarly situated entities that something in common (such as the Western World, European Common Market, or the United Nations) (1982:19).

b. Speech Situation

According to Dell Hymes, a speech situation is a situation in which a speech occurs. Within a community, we may detect many situations associated with (or marked by the absence of) speech. Such situations will be described as ceremonies, fights, hunts, meals, lovemaking, and the like (in Gumperz, John J. and Dell Hymes, eds., 1972: 54).

c. Speech Event

According to Dell Hymes, a speech event refers to activities or aspects of activities that are directly governed by rules or norms for the use of speech. An event may consist of a single speech act; and it often comprises several speech acts (in Gumperz, John J. and Dell Hymes, eds., 1972: 56).

d. Speech Act

According Dell Hymes, speech act is the minimal term of the speech event. It represents a level distinct from the sentence, and cannot be identified with any single portion of other levels of grammar, nor with segments of any particular size defined in terms of other levels of grammar. An utterance may have the status of command depending on a conventional formula. When we ask someone to leave the building, we may say: “Go!” not “Go?” An interrogative sentence “Can you help me?” may be meant to ask someone to do something; “what time is it?” may be meant to remind that the listener comes very late (in Gumperz and Dell Hymes, eds., 1972: 56).

e. Speech Styles

The term style refers to a language variety that is divided based on the criterion of formality. This criterion tends to subsume subject matter, the audience of discourse, and the occasion. Based on the criterion, Martin Jose (in Brown, 1982: 192) recognizes the speech into frozen, formal, consultative, casual and intimate styles. A frozen (oratorical) style is used in public speaking before a large audience; wording is carefully planned in advance, intonation is somewhat exaggerated, and numerous rhetorical devices are appropriate. A formal (deliberative) style is also used in addressing audiences, usually audiences too large to permit effective interchange betweens speaker and hearers, though the forms are normally not as polished as those in a frozen (oratorical) style. A typical university classroom lecture is often carried out in a formal (deliberative) style. A consultative style is typically a dialogue, though formal enough that words are chosen with some care. Business transactions, doctor-patient conversations, and the like are consultative in nature. Casual conversations are between friends or colleagues or sometimes numbers of a family; in this context words need not be guarded and social barriers are moderately low. An intimate style is one characterized by complete absence of social inhibitions. Talk with family, loved ones, and very close friends, where you tend to reveal your inner self, is usually in an intimate style.

Someone may speak very formally or very informally; his choice of the styles is governed by circumstances. Ceremonial occasions almost require very formal speech; public lectures are somewhat less formal; casual conversation is quite informal; and conversation between intimates on matters of little importance may be extremely informal and casual.

We may try to relate the level of formality chosen to a number of factors: (1) the kind of occasion, (2) the various social, age, and other differences that exist between the participants, (3) the particular task that is involved, e.g., writing or speaking, and (4) the emotional involvement of one or more of the participants (Wardhaugh, 1986: 48).

f. Ways of Speaking

A way of speaking refers to how a language speaker uses in accordance with behavior of communication regulated in his speech community. This means that he has to apply “regulation” of using his language. That is why Fishman suggests that in using a language someone has to consider to whom he speaks. Considering the person to whom he speaks, he will determine what language or its varieties he wants to use to speak. His consideration is not only based on to whom he speaks, but also on when or where he speaks. The language speaker will consider the setting of time and place.

In relation to the ways of speaking Dell Hymes states that the point of it is the regulative idea that the communicative behavior within a community is analyzable in terms of determinate ways of speaking, that the communicative competence of persons comprises in part a knowledge of determinate ways of speaking (in Gamperz and Hymes, eds., 1972 : 57).

g. Components of Speech

A language use occurring in a speech community must be in relation to speech situation, speech event, speech act, and speech styles, as well as components of speech. Those form an integrated parts in the communicative behavior. Dell Hymes (in Gumperz and Hymes, 1972 : 59-65) states the speech are in the sixten components, being grouped together under the letters of the word SPEAKING. SPEAKING here stands for (S)etting, (P)articipants, (E)nds, (A)act sequence, (K)ey, (I)nstrumentalities, (N)orms, and (G)enres. The further explanation will be explained later.

Social Functions of Language
Forms of sentences of a language generally serve specific function. The sentences are created, among others, on the basis of purposes. The purposes of creating sentences are (a) to inform something or someone to the audiences; the sentences created are called statements (declarative sentences), (b) to question about something or someone; the resultant forms are interrogative sentences, (c) to ask or command someone to do something; the resultant forms are imperative sentences, and (d) to show a surprise on someone or something; the resultant forms are exclamatory sentences.

Traditionally, there are three functions of a language. These three functions of a language are actually related from one to another. For the sake of discussion, they are discussed in separate ways. The prime function of a language has been assumed to be cognitive; a language is used to express ideas, concepts, and thought. The second function is said to be evaluative; a language has been viewed as a means of conveying attitudes and values. The third function of a language is referred to be affective; a language is used by its speakers to transmit emotions and feelings.

According to Mary Finocchiaro, there are six functions of a language are; they are as follows:

1. Personal. The personal function enables the user of a language to express his innermost thoughts; his emotions such as love, hatred, and sorrow; his needs, desires, or attitudes; and to clarify or classify ideas in his mind.

2. Interpersonal. The interpersonal function enables him to establish and maintain good social relations with individuals and groups; to express praise, sympathy, or joy at another’s success; to inquire about health; to apologize; to invite.

3. Directive. The directive function enables him to control the behaviour of others through advice, warnings, requests, persuasion, suggestions, orders, or discussion.

4. Referential. The referential function enables him to talk about objects or events in the immediate setting or environment or in the culture; to discuss the present, the past, and the future.

5. Metalinguistic. The metalinguistic function enables him to talk about language, for example, “What does .…….mean?”

6. Imaginative. The imaginative function enables him to use language creatively in rhyming, composing poetry, writing, or speaking (1989:1-2).

According to Roman Jacobson (in Bell, Roger T. 1976:83), functions of a language are related to aspects.

ASPECT

FUNCTION

Addresser

Emotive, expressive, affective

Addressee

Conative

Context

Referential, cognitive, denotative

Message

Poetic

Contact

Phatic, interaction management

Code

Metalinguistic

Although the model is primarily connected with the nature of literary language, it provides a means of listing six major language functions by indicating how the shift of focus from one aspect of the speech event to another determines the function of the language that is used in it. For example, (a) in relation to emotive function, the addresser aims at the direct expressions of his attitude to the topic or situation; (b) in relation to conative function, the speaker focuses on the person(s) addressed, for instance, when he calls the attention of another or requires them to carry out some action; (c) in relation to context, the participants of a speech act focus on the object, topic, content of the discourse; (d) in relation to message, the speaker focuses on the message; (e) in relation to contact, a (certain) language is used for the initiation, continuation and termination of linguistic encounters; and (f) in relation to code, a language is used to talk about the language itself.

Factors Influencing Language Use

They are four dominant factors influencing someone’s language use in a given speech community: (a) the participants: who speaks, to whom he speaks, (b) the setting: where does he speak? (c) the topic discussed, and (d) the function: what and why does he speak?. These factors (and the other factors) will be discussed in detail in the next chapter (Wardhaugh, 1983). These four factors can be illustrated as follows:

For instance, there are two persons involving in a speech act. They are called as participants. They are identified as father and his son. At home (setting), in order to be familiar between them (function), both father and his son (participants) speak Javanese language to talk about daily activities (topic); they use Indonesian language in another topic. Both speakers never Javanese outside their home to each other; they use Banjarese or Indonesian language.

Social Dimensions Influencing Language Use

Starting from the factors above, language use is determined by social dimensions: (a) social distance scale: how well we know someone, (b) a status scale: high-low status in social life; superior-subordinate status, and (c) a formality: formal-informal; high-low formality.

Social structure may either influence or determine linguistic structure and/or behaviour. The age-grading phenomenon can be used as evidence. In this relation, for instance, young children speak differently from other children; and children speak differently from mature. Consequently, there are some varieties of the same language (dialects, styles, speech levels, etc.) and ways of speaking, choices of words, and rules for conversing. Linguistic structure and/or behaviour may either influence or determine social structure.

Sociolinguistics studies a language and its varieties, and how they are used in the speech community in relation to the socio-cultural background of the language use itself.

Conclusion

A language is an important thing in a given community, a speech community. It is not a means for communication and interaction but also for establishing and maintaining human relationships.

One characteristic of a language is that is social. That is to say that all speech events must be in relation to the social aspects. A new-born child acquires a language in the social environment (family as a part of the speech community). A language use also occurs in the speech community.

Based the geographical area, one community may be different from one to another. This results in the different varieties of language: dialects. These kinds of dialects are known as geographical or regional dialects. The fact also shows us that the members of a community or speech community are in the same social hierarchy. Consequently, there are also varieties of the same language used by the different types of the language users. These kinds of language varieties are known as social dialects.

Sociolinguistics studies a language and its varieties, and how they are used in the speech community in relation to the socio-cultural background of the language use itself.


Motivational QUOTES

If you feel so desperate and hopeless about your dreams! Read this law.

The Backward Law: “The desire of more positive experiences itself is a negative experience. And, Paradoxically, the acceptance of a negative experience is itself a positive experience” read this law again deeply.

So, if pursuing positive is negative! Then, in reverse, pursuing negative is positive!

When you pursue the pain at gym, you will have a better health. When you pursue the failures at business, you will gain more experience. When you become open with your own insecurities, you will grow more confident and stronger!

So every worthwhile thing in this life is done through “Accepting its negative experience” as mentioned in the previous examples.

And any attempt to escape the negative experience or avoid it or silence it, Only back-fires on you.

And because of that they say “The avoidance of suffering is a form of suffering and the avoidance of struggle is itself a struggle”

Hope you all stay strong, safe and healthy. Always have hope!


Joke

I can't stop laughing oh
😂😂😂😂😂😂😂😂😂😂😂😂😃😃😃😃😃😃😂😂😂😂😂😂

A professor was travelling by boat on a high sea. On their way, he asked the sailor: ‘Hey! do u know Oceanology? Biology? Ecology? Zoology? Physiology?'
Epidemology?

‘NO’ said the sailor.

The Prof got angry and said: 'then what do u know? You will die of illetracy'!.

30 minutes later, the boat started sinking. The sailor looked at Prof and asked: 'Prof, do u know Swiminology and Escapeology from Sharkology?

‘NO’ said the Prof.

Sailor: Well that means Crocodileology will eat your Headology and u will Dielogy with your Knowledgeology because of your Badmouthology and grammartology. 😆😀😅😂

Morals
*Don't be proud!*
You are not an island of knowledge, don't look down on anyone, we all have different
grace and ability.


Jonathan Swift, Irish, (1667-1745) most famous QUOTES

❤️ Jonathan Swift, Irish, (1667-1745), was a satirist, essayist, political pamphleteer, poet, and cleric. He became Dean of St Patrick's Cathedral, Dublin. His most famous work is Gulliver’s Travels.
💁‍♀️ A few favorite quotes:
☘️“Every man desires to live long, but no man wishes to be old.”
☘️“The tiny Lilliputians surmise that Gulliver's watch may be his god, because it is that which, he admits, he seldom does anything without consulting.”
☘️“Undoubtedly, philosophers are in the right when they tell us that nothing is great or little otherwise than by comparison.”


ANGELOU, Maya: famous QUOTES

ANGELOU, Maya: American, (1928-2014) poet, author, and civil rights activist.
🌟 “Try to be a rainbow in someone's cloud.”
🌟 “History, despite its wrenching pain, cannot be unlived, but if faced with courage, need not be lived again.”
🌟 “A people without the knowledge of their past history, origin and culture is like a tree without roots.”


Shakespeare most famous quotes

50 Of Shakespeare’s Most Famous Quotes
(Part - 1)

50 Of Shakespeare’s Most Famous Quotes
(Part - 1)

1. ‘To be, or not to be: that is the question’
(Hamlet Act 3, Scene 1)

2. ‘All the world ‘s a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts.’
(As You Like it Act 2, Scene 7)

3. ‘Romeo, Romeo! wherefore art thou Romeo?’
(Romeo and Juliet Act 2, Scene 2)

4. ‘Now is the winter of our discontent’
(Richard III Act 1, Scene 1)

5. ‘Is this a dagger which I see before me, the handle toward my hand?’
(Macbeth Act 2, Scene 1)

6. ‘Some are born great, some achieve greatness, and some have greatness thrust upon them.’

(Twelfth Night Act 2, Scene 5)

7. ‘Cowards die many times before their deaths; the valiant never taste of death but once.’
(Julius Caesar Act 2, Scene 2)

8. ‘Full fathom five thy father lies, of his bones are coral made. Those are pearls that were his eyes. Nothing of him that doth fade, but doth suffer a sea-change into something rich and strange.’
(The Tempest Act 1, Scene 2)

9. ‘A man can die but once.’
(Henry IV, Part 2 Act 3, Part 2)

10. ‘How sharper than a serpent’s tooth it is to have a thankless child!’
(King Lear Act 1, Scene 4)

11. ‘Frailty, thy name is woman.’
(Hamlet Act 1, Scene 2)

12. ‘If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?’
(The Merchant of Venice Act 3, Scene 1)

13. ‘I am one who loved not wisely but too well.’
(Othello Act 5, Scene 2)

14. ‘The lady doth protest too much, methinks‘
(Hamlet Act 3, Scene 2)

15. ‘We are such stuff as dreams are made on, and our little life is rounded with a sleep.’
(The Tempest Act 4, Scene 1)


GASKELL, Elizabeth: English novelist, biographer and short story writer (1810-1865).

💁‍♀️GASKELL, Elizabeth:
English novelist, biographer and short story writer (1810-1865).

🌺 “Many a one has been comforted in their sorrow by seeing a good dish come upon the table.”
🌺 “Out of the way! We are in the throes of an exceptional emergency! This is no occassion for sport- there is lace at stake!" Miss Pole
🌺 “My father once made us," she began, "keep a diary, in two columns; on one side we were to put down in the morning what we thought would be the course and events of the coming day, and at night we were to put down on the other side what really had happened. It would be to some people rather a sad way of telling their lives," (a tear dropped upon my hand at these words) - "I don't mean that mine has been sad, only so very different to what I expected.” Miss Mattie


Thursday, 21 May 2020

LANGUAG ACQUISITION

What is second level acquisition(SLA) in linguistics ?

Second language acquisition, or SLA, has two meanings. In a general sense it is a term to describe learning a second language. More specifically, it is the name of the theory of the process by which we acquire - or pick up - a second language. This is mainly a subconscious process which happens while we focus on communication. It can be compared with second language learning, which describes how formal language education helps us learn language through more conscious processes.

Example
A learner studying in an English-speaking country may have more success due to the language they acquire in their part-time job than with the language they learn in their class.

In the classroom
Implications for the language classroom include the ideas that the teacher can create contexts for communication which facilitate acquisition, that there is a natural order of acquisition of language, that there are affective filters which inhibit acquisition, especially for adults, and that comprehensible input is very important.


John Donne Short answers

SHORT ANSWERS - JOHN DONNE

Answer the following questions.

(i) What is John Donne considered to be?

Ans. John Donne (1572 - 1631) was an English poet and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. He is often considered the greatest love poet in the English language. He is also noted for his religious verse.

(ii) Define metaphysical poetry?

Ans. Metaphysical poetry is highly intellectualized poetry marked by bold and ingenious conceits, incongruous imagery, complexity and subtlety of though, frequent use of paradox, and often by deliberate harshness or rigidity of expression. John Donne, Henry Vaughan and Andrew Marvell are famous metaphysical poets.

(iii) What is a theme?

Ans. Theme is the main, fundamental and universal idea or an underlying meaning of a literary work that may be stated directly or indirectly. It unifies and controls the entire literary work. For example, the main theme in the play "Romeo and Juliet" is love with smaller themes of sacrifice, tragedy, struggle, hardship, devotion and so on.

(iv) What are some common themes in the poems of John Donne?

Ans. Love as both physical and spiritual, religion, death and the hereafter, paradoxes, belittling cosmic forces, interconnectedness of humanity, and fidelity are the common themes in the poem of John Donne.

(v) What is the difference between Donne's love poems and divine poems?

Ans. The theme of love poems and divine poems is different. Love poems describe three kinds of love; cynical, conjugal and Platonic. Divine poems describe two notes; the Catholic and the Anglican. However, the thought and spirit behind the two categories of poems is same.

(vi) What are the three moods of love in Donne's poems?

Ans. The first mood of love is cynical. It celebrates the physical appetite, notably presented in the "Elegies". The second mood of love is conjugal. It is a mutually enjoyed love between man and woman as found in "A Valediction: Forbidding Mourning". Thirdly, there is the Platonic love, as in "The Canonization", where love is regarded as a holy emotion like the worship of a devotee of God.

(vii) How does Donne distinguish between physical and spiritual love?

Ans. "Physical love" is the love that is primarily based upon the sensation or the presence of the beloved or that emphasizes sexuality whereas "spiritual love" is based on higher and more refined feelings than sensation. As a Metaphysical poet, Donne uses physical loved to evoke spiritual love.

(viii) What is a cynical love?

Ans. Cynicism is an attitude of scornful or jaded negativity, especially a general distrust of the integrity or professed motives of others. So cynical love is anti-woman and hostile to the fair sex. It indicates the frailty of man -- a matter of advantage for lovers who like casual and extra-marital relations with ladies.

(ix) How is Donne's life reflected in his poetry?

Ans. Several major events in Donne's life -- his marriage, his conversion to Anglicanism, his wife's early death, illness, and his elevation to the Deanship of St. Paul's -- can be seen in his poetry.

(x) How is death treated in Donne's poetry?

Ans. Death is treated both as a reality of life and as an abstract concept. For Donne death is not necessarily somber but provides a transition moment -- often a climax -- denoting a change of state. "Death Be Not Proud", personifies Death as a powerless being who cannot survive past the Resurrection; ultimately, all people will reach their metaphysical states.

(xi) What is an allusion?

Ans. An allusion is a casual reference to a person, place, event, or another passage of literature, often without explicit identification. Allusions can originate in mythology, biblical references, historical events, legends, geography, or earlier literary works. For example, "Don't act like a Romeo in front of her." - "Romeo" is a reference to Shakespeare's Romeo, a passionate lover of Juliet in "Romeo and Juliet".

(xii) What is a conceit?

Ans. Conceit is a figure of speech in which two vastly different objects are likened together with the help of similes, metaphors, imagery, hyperbole and oxymora. One of the most famous conceits is John Donne's "A Valediction: Forbidding Mourning", a poem in which Donne compares two souls in love to the points on a geometer's compass.

(xiii) What is hyperbole?

Ans. Hyperbole is the use of exaggeration as a rhetorical device or figure of speech. It is used to create emphasis on a situation. It may be used to evoke strong feelings or to create a strong impression, but is not to meant to be taken literally. For example, "I had to wait in the station for ten days - an eternity". (The Heart of Darkness by Joseph Conrad)

(xiv) Why do you mean by elegy?

Ans. An elegy is a mournful, melancholic or plaintive poem in the form of elegiac couplets. It is usually a funeral song or a lament for the dead. "Elegy Written in a Country Churchyard" by Thomas Gray and "When Lilacs Last in the Dooryard Bloom'd" by Walt Whitman are the most popular examples of elegy.

(xv) How many elegies did Donne write?

Ans. Donne wrote 20 elegies. These include: Jealosie, The Anagram, Change, The Perfume, His Picture, Oh, Let Me Not Serve, Natures Lay Ideot, The Comparison, The Autumnall, The Dreame, The Bracelet, His Parting From Her, Julia, A Tale of a Citizen and His Wife, The Expostulation, On His Mistris, Variety, Loves Progress, To His Mistris Going to Bed and Love Warr.


Tuesday, 19 May 2020

What is linguistics?

*40 Commonly Used and Popular English Idioms*

*40 Commonly Used and Popular English Idioms*

A blessing in disguise
Meaning: A good thing that initially seemed bad

A dime a dozen
Meaning: Something that is very common, not unique

Adding insult to injury
Meaning: To make a bad situation even worse

Beat around the bush
Meaning: Avoid sharing your true viewpoint or feelings because it is uncomfortable

Beating a dead horse
Meaning: giving time or energy to something that is ended or over

Bite the bullet
Meaning: To get an unfavorable situation or chore over with now because it will need to get finished eventually

Best of both worlds
Meaning: The choice or solution has all of the advantages of two contrasting things at the same time

Biting off more than you can chew
Meaning: Not having the capacity to take on a new assignment or task that is just too taxing

By the skin of your teeth
Meaning: Just barely making it

Don’t judge a book by its cover
Meaning: Not judging something by its initial appearance

Doing something at the drop of a hat
Meaning: Doing something at the moment of being asked

Don’t count your chickens before they hatch
Meaning: Not to count on something happening until after it’s already happened

Caught between a rock and a hard place
Meaning: Making a choice between two unpleasant choices

Costs an arm and a leg
Meaning: Something that is overpriced or very expensive

Cutting corners
Meaning: Not performing a task or duty correctly in order to save time or money

Devil’s advocate
Meaning: To take the side of the counter-argument, or offer an alternative point of view

Feeling under the weather
Meaning: Not feeling well, or feeling sick

Fit as a fiddle
Meaning: Being in good health

Getting a taste of your own medicine
Meaning: Being treated the way that you have been treating others

Getting a second wind
Meaning: Having energy again after being tired

Giving the benefit of the doubt
Meaning: Believing someone’s story without proof even though it may seem unbelievable

Giving someone the cold shoulder
Meaning: ignoring someone

Going on a wild goose chases
Meaning: doing something that is pointless

Heard it on the grapevine
Meaning: Hearing rumors about someone or something

Hitting the nail on the head
Meaning: Performing a task with exactness

Killing two birds with one stone
Meaning: Accomplishing two different tasks in the same undertaking

Letting someone off the hook
Meaning: Not holding someone responsible for something

Letting the cat out of the bag
Meaning: Sharing information that was intended to be a secret

No pain, no gain
Meaning: You have to work hard in order to see results

On the ball
Meaning: Doing a good job, being prompt, or being responsible

Once in a blue moon
Meaning: Something that doesn’t happen very often

Piece of cake
Meaning: A task or job that is easy to complete

Pulling someone’s leg
Meaning: Joking with someone

Speak of the devil
Meaning: When the person you have just been talking about arrives

Stealing someone’s thunder
Meaning: Taking credit for someone else’s achievements

Straight from the horse’s mouth
Meaning: Reading or hearing something from the source

The last straw
Meaning: The last difficulty or annoyance that makes the entire situation unbearable

The elephant in the room
Meaning: An issue, person, or problem that someone is trying to avoid

Throwing caution to the wind
Meaning: Being reckless or taking a risk

Your guess is as good as mine
Meaning: To not know something

**20 Familiar English Idioms**
A snowball effect
Meaning: Something has momentum and builds on each other, much like rolling a snowball down a hill to make it bigger

An apple a day keeps the doctor away
Meaning: Apples are healthy and good for you

Burning bridges
Meaning: Damaging a relationship beyond repair

Every dog has his day
Meaning: Everyone gets their chance to do something big

Fit as a fiddle
Meaning: Excellent health

Go down in flames
Meaning: To fail in a spectacular manner

Getting a second wind
Meaning: Having energy again after being tired or worn out

Having your head in the clouds
Meaning: Day dreaming, not paying attention

He/She is off their rocker
Meaning: Someone who is acting crazy or not thinking rationally

It’s always darkest before the dawn
Meaning: Things always get worse before they get better

It takes two to tango
Meaning: One person usually isn’t the only responsible party

Like riding a bike
Meaning: Something that you never forget how to do

Like two peas in a pod
Meaning: Two people who are always together

Run like the wind
Meaning: To run really fast

Through thick and thin
Meaning: Everyone experiences hard and good times

Time is money
Meaning: Work faster or more efficiently

Weather the storm
Meaning: Enduring a trial or hardship
Can’t make an omelet without

breaking some eggs
Meaning: You can’t make everyone happy

You can lead a horse to water, but you can’t make him drink
Meaning: You can’t force someone to make what is seemingly the right decision

Clouds on the horizon
Meaning: Trouble is coming or is on its way.


Richard Wilbur Quotes

Richard Wilbur Quotes

"Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product's something that, though it may not be for everybody, is about everybody."

"What's lightly hid is deepest understood."

"All that we do is touched with ocean, and yet we remain on the shore of what we know."

The moral of poem Still citizen sparrow: “Actions speak louder than words”
“a rich heart may be under a poor coat”.

“Pardon him, you
Who dart in the orchard aisles, for it is he
Devours death, mocks mutability” --- Still, Citizen Sparrow

“You never know what is enough unless you know what is more than
enough.”  --- William Blake

“I must admit to a continuing respect for Robert Lowell and Richard Wilbur.’’ --- TS Eliot

“the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men.” --- Richard Wilbur
“one of the jobs of poetry is to make our fears bravely clear” --- Richard Wilbur
According to Salinger, Richard Wilbur is known for having the “killer-diller line”
Babette Duetsch once commented about Wilbur's poetry, “Here is poetry to be read with the eye, the ear, the heart and the mind”


Oedipus Rex short questions

OEDIPUS_REX by Sophocles
SHORT_QUESTIONS_WITH_ANSWERS

1.what is the Latin title for the play odipus the king?
Ans.Oedipus Rex is the Latin title for the play Oedipus the king.

2.what is parode?
Ans.parode is the first entrance of chorus on the stage. It provides further expositional background through singing.

3.what is exode?
Ans.Exode is the final section of play usually comes after the last stasimon.

4.who is the tragic hero of Oedipus the king?
Ans.Oedipus, the king of Thebes,is the tragic hero of oedipus the king.

5.what is a prologue?
Ans.A prologue is the initial section of a play, which provides essential background for understanding the action of the play.

6.who killed Laius?
Ans.Oedipus killed Laius.

7.who was Creon?
Ans.Creon was Jocasta's brother.

8.when,according to Teiresias,did the wise suffer?
Ans.According to Teiresias,when wisdom could not bring profit,then the wise suffered.

9.what did Teiresias say would happen to Oedipus?
Ans.Teiresias said that Oedipus would leave Thebes as a blind beggar.

10.what accusation did Oedipus bring against Creon?
Ans.Oedipus accused Creon for treachery.

11.who was Queen Merope?
Ans.Queen Merope was the wife of Corinthian King, Polybus.

12.How  did Oedipus blind himself?
Ans.He blinded himself with the golden brooches pinned with jocasta's dress.

13.How many children did Oedipus have?
Ans.Oedipus was the father of two sons and two daughters.

14.who are Oedipus's foster parents?
Ans.Polybus and Merope.

15.what is the tragic flaw of Oedipus?
Ans.His pride is the tragic flaw of oedipus.

16.How did jocasta die?
Ans.Jocasta committed suicide by hanging.

17.what is the meaning of the word "Oedipus "?
Ans.Oedipus means swollen foot.

18.what did the chorus say at the end of the play king Oedipus?
Ans.The chorus says that no man can be called happy until he dies happily.

|Prayers|*OTHELLO* by William Shakespeare
SHORT_QUESTIONS_WITH_ANSWERS

1. Give a brief estimate of Iago’s wife?

Iago’s wife was Emilia and she was attendant and companion of Desdemona in Cyprus. She was a young, virtuous and faithful wife and loyal to Desdemona also. She followed her husband in wifely duty and at the end of the play she condemned her husband’s lies to protect Desdemona’s character.

2. How does Othello kill Desdemona?

In the last act Othello tells Desdemona that she is disloyal and he is going to stab her. Desdemona requests for mercy and claims her innocence but he refuses and stab her.

3. What is Othello’s opinion about unexposed Iago?

Othello’s opinion about unexposed Iago is that he is kind and honest man but it is ironical because in reality he is opposite.

4. Why is Brabantio dismayed about Desdemona?

Brabantio was father of Desdemona. He dismayed about Desdemona when he realized that she has married to a moor Othello. The main reason was that Othello was a black and Moorish.

5. What qualities of Othello do win the heart of Desdemona?

The qualities of Othello that win the heart of Desdemona are the tales of wars, his adventures and endurance before coming to Venice that told to Desdemona. Desdemona says that my heart is subdued for the Othello’s visage and honor.

6. Why does Iago stab his mistress?

Iago does not tell anything that why he stab his mistress but it is very clear from the story that Emilia tells the truth and condemn the lies of his husband so, in revenge he stab her.

7. How does Iago exploit Roderigo?

Roderigo is an emotional person. He does not think on reason so, Iago exploit Roderigo through his emotions. Iago tells Roderigo that money can get anything even Desdemona’s love thus he get money from Roderigo.

8. What sort of women was Emilia?

Emilia the wife of Iago and attendant of Desdemona is a young, virtuous, intelligent and with emotional flexibility. She is faithful wife and loyal servant.

9. Why does Iago not like Othello?

Iago does not like Othello because Othello has made Cassio his lieutenant who has no military experience instead of Iago who has military experience.

|Prayers|


THE*_*JEW*_*OF*_*MALTA* - Christopher Marlowe Farcical_and_Comical_Elements_in_Jew_of_Malta

*THE*_*JEW*_*OF*_*MALTA* - Christopher Marlowe
Farcical_and_Comical_Elements_in_Jew_of_Malta


The Jew of Malta is often amusing and it would be possible to regard it simply as a brilliant theatrical entertainment intended to make one laugh rather than think. The problem here is to maintain the right balance of the “ludicrous” and the “terrible”. T.S.Eliot was aware of this problem. Even though he preferred to classify the play as a farce rather than as a tragedy, he was careful to emphasise that its humour was “terribly serious”. According to Bawcutt, the Jew of Malta is a harsh and disturbing comedy, near to ridicule, not the cheerful laughter which relaxes and heals. It should not distract one from the play´s seriousness, but intensify it, by making us aware of the ludicrous instability of our attitudes and the absurdity of our pretensions to moral superiority. The play may seem at times a parody of normal human behaviour; even so, it is the kind of parody that is uncomfortably close to reality. (Bawcutt 1978:36).

Several asides in the main plot of The Jew of Malta  assume comic function and devices of double entendre (double meaning) are applied. Several asides are unspoken thoughts of a character or confidentially and silently uttered messages addressed to another character, but most of the asides are examples of dramatic irony, in the way that they reveal the innermost thoughts of the characters in contrast to what they actually say. They may reveal double-dealing and the hypocrisy in this way but sometimes also the true honesty and virtue of a speaker. (cf. Abigail, III.iii). They also may function as a dramatic device to raise suspense, anticipating a forthcoming event, such as for example murder or intrigue.

An example of this can be found in II.iii when Barabas is talking to Lodowik: “The diamond that I talk of, ne´er was foiled”. The diamond will be foiled though when he touches it. Another example can be found in Act I.ii, when Barabas and Abigail are preparing for the retrieval of gold and money from their former home, now confiscated by the governor and turned into a nunnery.

Farcical scenes, such as in Act IV.i when Barabas provokes an open conflict between the Dominican friar Jacomo and the Benedictine monk Bernadine, which are both exposed as mercenary and corrupt. The promise of inheriting Barnabas´ riches is enough to trigger hostility and violence and an open satire on the corruption of the clergy as well as the greed and envy and worldly mindedness takes place. A macabre farce takes place after the strangling of Bernardine, when the dead body is propped up by Barnabas and Ithamore as if it was leaning on a stick asleep. They then take up their position as a concealed stage audience wating for Jacomo to come and to be accused of murder. Bernadine is discovered by Jacomo who attacks him with a stick and Bernadine seemingly drops dead. Barabas and Ithamore witness the apparent act of murder and after they report the incident to the authorities Jacomo is accused of murder and hanged.

There several references in the text to sexual abuses and the apparent promiscuity and corruption of the clergy, as for instance in Act III.iii, when Ithamore addresses Abigail with the following words: “…have not the nuns fine sport with the friars now and then?”

Another example can be found when Bernadine, in a self-exposing soliloquy, utters a response to Abigail´s last words: (“…and witness that I die a Christian”): “Ay, and a virgin too, that grieves me most…”)


Oedipus REX BY SOPHOCLES SHORT QUESTIONS ANSWERS

OEDIPUS_REX by Sophocles
SHORT_QUESTIONS_WITH_ANSWERS

1.what is the Latin title for the play odipus the king?
Ans.Oedipus Rex is the Latin title for the play Oedipus the king.

2.what is parode?
Ans.parode is the first entrance of chorus on the stage. It provides further expositional background through singing.

3.what is exode?
Ans.Exode is the final section of play usually comes after the last stasimon.

4.who is the tragic hero of Oedipus the king?
Ans.Oedipus, the king of Thebes,is the tragic hero of oedipus the king.

5.what is a prologue?
Ans.A prologue is the initial section of a play, which provides essential background for understanding the action of the play.

6.who killed Laius?
Ans.Oedipus killed Laius.

7.who was Creon?
Ans.Creon was Jocasta's brother.

8.when,according to Teiresias,did the wise suffer?
Ans.According to Teiresias,when wisdom could not bring profit,then the wise suffered.

9.what did Teiresias say would happen to Oedipus?
Ans.Teiresias said that Oedipus would leave Thebes as a blind beggar.

10.what accusation did Oedipus bring against Creon?
Ans.Oedipus accused Creon for treachery.

11.who was Queen Merope?
Ans.Queen Merope was the wife of Corinthian King, Polybus.

12.How  did Oedipus blind himself?
Ans.He blinded himself with the golden brooches pinned with jocasta's dress.

13.How many children did Oedipus have?
Ans.Oedipus was the father of two sons and two daughters.

14.who are Oedipus's foster parents?
Ans.Polybus and Merope.

15.what is the tragic flaw of Oedipus?
Ans.His pride is the tragic flaw of oedipus.

16.How did jocasta die?
Ans.Jocasta committed suicide by hanging.

17.what is the meaning of the word "Oedipus "?
Ans.Oedipus means swollen foot.

18.what did the chorus say at the end of the play king Oedipus?
Ans.The chorus says that no man can be called happy until he dies happily.


Sunday, 17 May 2020

M.A ENGLISH LITERATURE ONLINE ACADEMY

https://m.facebook.com/story.php?story_fbid=914520655679092&id=247655152365649&sfnsn=mo&extid=XdWmFXXRQ5M0YCtz


Short questions linguistics

🌹Short Questions and Answers of Linguistics 🌹
👇🏻👇🏻👇🏻👇🏻👇🏻👇🏻👇🏻
How is linguistics a Science?
Linguistics is the scientific study/ systematic study of language. In linguistics the method is applied by making observations, testing hypotheses and deriving theories. So, linguistics is a science but social science not a practical science.

What is meant by Syn-chronic and Diachronic study of language?
Syn-chronic study of language is the study of language at a fix point or present but Diachronic study of language is the study of language change or study of language through history.

How does Ferdinand De Saussure make a distinction between Langue and Parole?
According to Ferdinand de Saussure the distinction between langue and parole is that langue is the structure of language in the mind/grammar of language in mind and the parole is the speech or written language.

What does Noam Chomsky mean by Competence?
According to Noam Chomsky competence mean the linguistic knowledge of the native speaker to understand and speak.

How does Noam Chomsky argue about Performance?
According to Noam Chomsky the performance is the actual use of language in concrete situation. It is like Parole as described by Ferdinand de Saussure.

What is LAD according to Chomsky?
According to Noam Chomsky the LAD (Language Acquisition Device) is instinctive mental facility to acquire and speak language.


What are different Organs of Speech?
The different Speech Organs are teeth, lips, tongue, nasal cavity, alveolar ridge, hard palate, velum (soft palate), uvula and glottis etc.

What is meant by Received Pronunciation (RP)?
Received Pronunciation (RP) means the standard accent of British English Language. It is associated with formal speech.

Differentiate between Dialect and Idiolect.
Dialect is variety of language used by a social or regional group and Idiolect is the variety of language used by an individual.

Define Register.
Register is the use of variety of language by the group of peoples of different professions like lawyers and doctors etc.


Define Syntax.
Syntax is the arrangement of word to create a phrase or sentence in language. It is grammar or the rules to construct a sentence.

Differentiate between Pidgin and Creole.
Pidgin is the mixture of multi languages used by traders as second language and Pidgin when used by the peoples as first language it becomes Creole or Linguafranca.

What are Bound and Free Morphemes?
Bound Morphemes are element of a word with prefixes or suffixes cannot stand alone as a word but Free Morphemes stand alone, a single morpheme as a word.

What is multilingualism? Give examples.
Multilingualism means use of two or more languages by an individual or society. for example Punjabi and Urdu or Sindhi, Punjabi and Urdu etc.

What is code switching and code mixing?
Code Switching is using more than one language and changing from one language to another but Code Mixing is using more than one language as mixture, use of multi languages in one sentence.


What is language lateralization?
Language lateralization refers to the functions of the left and right hemispheres in the brain and distinct functions of left and right hemisphere.

What is the difference between derivational morpheme and inflectional morpheme?
Inflectional morpheme is a morpheme that does not change the category of the word like smaller from small these both are adjectives. For example: great greater, tall taller, old older and short shorter.
Derivational morpheme is a morpheme that change the category of the word like movement from move here movement is a noun and move is a verb. Improve improvement, easy easily and entertain entertainment.

What is the difference between voiced and voiceless sounds?
Voiced sounds are those in which vocal chords vibrate and in voiceless sounds vocal chords do not vibrate. For example “v, m, n, b and d” are voiced and “s, h and f” are voiceless.

What are in-fixes?
In-fixes are affixes that inserted nor in beginning neither at the end but in the base word. For example: cupsful from cupful.

What is Hyponymy?
The semantic relation of words between specific words and its general or broader term is called Hyponymy. For example Rose and flower, gaze and see, Mango and fruit.


What is elision? Discuss briefly.
Elision in linguistic is the omission of sounds of vowel, consonant, syllable, word or phrase for the easy pronunciation.

Language can be described as a cognitive ability. Discuss briefly
Language can be described as cognitive ability because through learning the grammatical rules and vocabulary we can speak language. For example second language learning through grammatical method.

Define the scope of Morphology with examples.
In morphology we study the structure of word or shape of word. Morphology helps us to understand structure of words easily. For example balls consist of ball+s, clothes consist of cloth+es in these words the morphemes s and es show the plural form of a word.

List and elaborate parameters for the description of English vowel sounds.
Vowel parameters used in the description of English vowel sounds are tongue height, tongue advancement and lips’ position. That tongue movement is high, mid or low, tongue advancement is towards front, center or at the back and lips’ position is rounded or non rounded.

Differentiate between free morpheme and bound morpheme?
Free morpheme is an independent morpheme, it is a minimal meaningful unit and bound morpheme is dependent morpheme, its meaning depends upon other morpheme. For example; ‘dogs’ here ‘dog’ is free morpheme and ‘s’ is bound morpheme which shows plural form.


How would you define pitch movement in language?
Pitch movement is created through the vibration of vocal folds.

Compare behaviorist and cognitive theories of language learning.
Behaviorist theory base on the stimulus-response that does something and have reward or punishment.
Cognitive theory base on understanding, that you understand the rules of language and can speak or write that language.

Define connotative and denotative meaning with examples.
Denotative meanings are the dictionary meanings or precise, basic and specific meanings, and connotative meanings are the associations with the word like metaphor and symbolic meanings.

Define Alveolar sounds. Give examples.
Alveolar is the ridge behind the teeth and alveolar sound is produced when blade of tongue touch or near to touch the alveolar ridge. For example; the consonant sound of d, t and n.

Define syntagmatic and paradigmatic relations with examples.
The syntagmatic is concern the positioning of the words and phrases or lateral positioning. Paradigmatic is concerning the substitution words or vertical relation. For example; syntagmatic: He goes to the school. To the school he goes. Paradigmatic: He goes to the school. He goes to the home.


What is Displacement in the study of language?
Displacement in the study of language is language’s capability to communicate those things which are not present at that time.

What are minimal pairs?
Minimal pairs are the pair of words which differs only single phonological element and have different meanings. For example; tall and fall, sale and safe, and bit and bat.


Important Questions sargodha university 2020

*Most Imp Qs of Sarghoda university Classical Poetry*:

*Chaucer*:
1: Attitude Towards Contemporary Church.
2: Art of Characteriz ation.
3: Analysis of Major Characters.
4: Attitude Towards Women.
(Must Do 1-3-4).

*John Donne*:
1: As a Metaphysical Poet.
2: As a Love Poet.
3: Divine Poet.


*Rape of the Lock*:
1: As a Social Satire.(vvvip).
2: As a Mock Epic.
3: Character of Belinda.(vip).


*Paradise Lost*:
1: Theme of Paradise Lost.
2: Who is the Hero of Paradise Lost?.
3: Character of Satan.
4: Milton's Grand Style.
     ******************
*Most Imp Qs of American Lit.*

*Richard Wilbur.*
1: *Critical Appreciations of Still Citizen Sparrow & After Last Bulletin.
2: As a Modern Poet.


Most Imp Qs of *John Ashbury.*
1: *Critical Appreciations of Melodic Train & The Painter.
2: As a Modern Poet.


Most Imp Qs of *Walt Whitman.*
1: Themes.
2: Critical Apprs of "To A Stranger" & "A Child Went Forth" & "O Captain".


Most Imp Qs of *Frost.*
1: Salient Features of Poetry.
2: As a Modern Poet.
3: Critical Apprs of *Apple Picking & Mending Wall & Road Not Taken.*
(Must Do 1 & 3).

Most Imp Qs of *The Crucible.*
1: A Modern Tragedy.
2: Themes OR Theme of Witchcraft.
3: Character of Proctor.


Most Imp Qs of *Mourning Becomes Electra.*
1: A Great Tragic Play.
2: Psycho-Analysis OR a Psychological Play.
3: Character of Lavinia.


Most Imp Qs of *Jazz.*
1: Thematic & Symbolic Signifance of Title OR Thematic & Symbolic Significance of Jazz Music.
2: As a Feminist Writer.
3: Themes, Motifs & Symbols.
4: Violet's Character OR Female characters in Jazz.
(Must Do 1-2-3).


Most Imp Qs of *Farewell to Arms.*
1: As an Autobiographical Novel.
2: Hero of Hemingway
    ******************
*Most Important Questions of Prose:*

Most Imp Qs of *Gulliver Travells:*
1: Social Satire (It also covers Allegory or Symbolism related Question).
2: Misanthrope.

Most Imp Qs of *Russel:*
1: Crusade against Dogmatism.
2: Function of a Teacher.
3: Prose Style.
4: Future of Mankind.

Most Imp Qs of *Edward Said:*
1: What is Culture & Imperialism?.
2: References of Novelists.

Most Imp Qs of *Bacon:*
1: Worldly Wisdom.
2: True Moralist.
3: Prose Style.
4: Critical Appr of the Essays of *Of Adversity, Of Great Places, Of Death, Of Friendship.*
    ******************
*Most Imp Qs of Novels:*

Most Imp Qs of *Pride & Prejudice:*
1: Title of the Novel.
2: Art of Characterization.
3: Limitations.
4: Character of Darcy & Elizabeth.
5: Theme of Love & Marriage.

Remarks: (Must Do 1-2-4-5).

Most Imp Qs of *Tale of two cities:*
1: Historical Novel.
2: Themes & Symbols.
3: Character of Alexander.
4: Social Reformer.

Remarks: (Must Do 1-2-3)

Most Imp Qs of *Tess:*
1: Is Tess a Pure Woman?
2: Art of Characterization.
3: Role of Nature OR Nature in Hardy's Novels.


Most Imp Qs of *Mill on the Floss:*
1: Character of Maggie.
2: Autobiographical Novel.
3: Eliot as an intellectual Novelist.
4: As a Tragedy.

Most Imp Qs of *Joseph Andrews:*
1: Parody of Pamela.
2: Parson Adam's Character.
3: Characterization.
(Q# 1-2 is most imp).


Most important Questions punjab university MA ENGLISH LITERATURE

*Most Important Questions of PUNJAB  UNIVERSITY of Prose:*

Most Imp Qs of *Gulliver Travells:*
1: Social Satire (It also covers Allegory or Symbolism related Question).
2: Misanthrope.

Most Imp Qs of *Russel:*
1: Ideas that have helped & harmed mankind.
2: Function of a Teacher.
3: Prose Style.
4: Future of Mankind.

Most Imp Qs of *Edward Said:*
1: What is Culture & Imperialism?.
2: References of Novelists.

Most Imp Qs of *Bacon:*
1: Worldly Wisdom.
2: True Moralist.
3: Prose Style.
4: Critical Appr of the Essays of *Of Adversity, Of Great Places, Of Death, Of Friendship.*

Most Imp Qs of *Seamus Heaney.*
1: *Redress of Poetry.*

*Most Imp Qs of Classical Poetry*:

*Chaucer*:
1: Attitude Towards Contemporary Church.
2: Art of Characterization.
3: Analysis of Major Characters.
4: Attitude Towards Women.
(Must Do 1-3-4).

*John Donne*:
1: As a Metaphysical Poet.
2: As a Love Poet.
3: Divine Poet.

*Rape of the Lock*:
1: As a Social Satire.(vvvip).
2: Character of Belinda.(vip).
3: Machinery or Supernatural Machinery in Rape of Lock.(imp)

*Paradise Lost*:
1: Theme of Paradise Lost.
2: Who is the Hero of Paradise Lost?.
3: Character of Satan.
4: Paradise Lost as an Epic.


Friday, 15 May 2020

*The Roles of Women in Shakespeare's Plays.*

*The Roles of Women in Shakespeare's Plays.*

Shakespeare’s presentation of women in his plays demonstrates his feelings about women and their roles in society. Looking at the types of female roles in Shakespeare demonstrates that women had less freedom than their male counterparts in Shakespeare's time. It's well known that women weren't allowed on the stage during Shakespeare's active years. All of his famous female roles like Desdemona and Juliette were in fact once played by men.

*Shakespeare's Presentation of Women*
Women in Shakespeare's plays are often underestimated. While they were clearly restricted by their social roles, the Bard showed how women could influence the men around them. His plays showed the difference in expectations between upper and lower class women of the time. High-born women are presented as “possessions” to be passed between fathers and husbands. In most cases, they are socially restricted and unable to explore the world around them without chaperones. Many of these women were coerced and controlled by the men in their lives. Lower-born women were allowed more freedom in their actions precisely because they are seen as less important than higher-born women.

*Sexuality in Shakespeare's Work*
Broadly speaking, female characters that are sexually aware are more likely to be lower class. Shakespeare allows them more freedom to explore their sexuality, perhaps because their low-status renders them socially harmless. However, women are never totally free in Shakespeare’s plays: if not owned by husbands and fathers, many low-class characters are owned by their employers. Sexuality or desirability can also lead to deadly consequences for Shakespeare's women. Desdemona chose to follow her passion and defied her father to marry Othello. This passion is later used against her when the villainous Iago convinces her husband that if she would lie to her father she would lie to him as well. Wrongfully accused of adultery, nothing Desdemona says or does is enough to convince Othello of her faithfulness. Her boldness in choosing to defy her father ultimately leads to her death at the hands of her jealous lover.

Sexual violence also plays a major role in some of the Bards work. This is seen most notably in Titus Andronicus where the character Lavinia is violently raped and mutilated. Her attackers cut out her tongue and remove her hands to prevent her from naming her attackers. After she is able to write their names her father then kills her to preserve her honor.

*Women in Power*
Women in power are treated with distrust by Shakespeare. They have questionable morals. For example, Gertrude in Hamlet marries her husband’s murdering brother and Lady Macbeth coerces her husband into murder. These women show a lust for power that's often on par or surpassing that of the men around them. Lady Macbeth especially is seen as a conflict between masculine and feminine. She forgoes normal "feminine" traits like motherly compassion for more "masculine" ones like ambition, which leads to the ruin of her family. For these women, the penalty for their scheming ways is normally death.


Thursday, 14 May 2020

DIPHTHONGS IN URDU/HINDI

speech organs voicing manner of articulation place of articulation

Wednesday, 13 May 2020

Richard Wilbur quotes

Richard Wilbur Quotes

"Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product's something that, though it may not be for everybody, is about everybody."

"What's lightly hid is deepest understood."

"All that we do is touched with ocean, and yet we remain on the shore of what we know."

The moral of poem Still citizen sparrow: “Actions speak louder than words”
“a rich heart may be under a poor coat”.

“Pardon him, you
Who dart in the orchard aisles, for it is he
Devours death, mocks mutability” --- Still, Citizen Sparrow

“You never know what is enough unless you know what is more than
enough.”  --- William Blake

“I must admit to a continuing respect for Robert Lowell and Richard Wilbur.’’ --- TS Eliot

“the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men.” --- Richard Wilbur
“one of the jobs of poetry is to make our fears bravely clear” --- Richard Wilbur
According to Salinger, Richard Wilbur is known for having the “killer-diller line”
Babette Duetsch once commented about Wilbur's poetry, “Here is poetry to be read with the eye, the ear, the heart and the mind”


POWER AND STRENGTH OF WOMEN, HER ROLE AND RESPOSIBILITIES IN SOCIETY

PROCESS OF SPEECH PRODUCTION 2

English literature and linguistics with ASMA SHEIKH: PAST PAPERS RICHARD WILBUR 2011 TO 2019 SUPPLY MA ...

English literature and linguistics with ASMA SHEIKH: PAST PAPERS RICHARD WILBUR 2011 TO 2019 SUPPLY MA ...: 2011. no question 2012: no question 2013: no question 2014: Q. Discuss Richard Wilbur as an urban poet with reference to his poems you ...

PAST PAPERS RICHARD WILBUR 2011 TO 2019 SUPPLY MA ENGLISH LITERATURE AMERICAN LITERATURE

 RICHARD WILBUR 2011 TO 2019 SUPPLY PAST PAPERS

 MA ENGLISH LITERATURE AMERICAN LITERATURE





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2011. no question
2012: no question
2013: no question

2014:
Q. Discuss Richard Wilbur as an urban poet with reference to his poems you have read.

2015
Q: write detailed critical appreciation of the poem 'still citizen sparrow' by richard wilbur

2015 supplementry
Q: still citizen sparrow is an allegory of modern life

2016:
Q. What is the philosophical center of the poem Marginalia by Richard Wilbur.

2016 supply:
Q. Still citizen sparrow is a moral allegory.

An allegory (AL-eh-goh-ree) is a story within a story. It has a “surface story” and another story hidden underneath. For example, the surface story might be about two neighbors throwing rocks at each other's homes, but the hidden story would be about war between countries.

2017:
Q. Still, Citizen Sparrow by Richard Wilbur is a satire on vanity and pride. Illustrate.

2018:
Q. Write a detailed critical appreciation of Richard Wilbur's poem Marginalia.

2018supply:
Q. Richard Wilbur's poem Marginalia is a philosophical rendition of everything in life dismissed as peripheral.

2019:
Q. Discuss the significance of natural imagery in Richard Wilbur's poems.

visually descriptive or figurative language, especially in a literary work.
symbolic representation of images

when the poet draws a compare and contrast by taking any word or object of nature and compel us to visualise an image


reality of life, desires aims ambitions, 

urban life,  harrdwork, courage, 

fortune the bold, action speak louder than words

all that glitters is not gold
every cloud has a silver lining
role of a man
marginalize n define our goals
attitude towards excessive knowledge
visual imagery n auditory imagery




life=fish pond, images in the fish pond, life ups n downs


2019supply:
Q. Write a detailed critical appreciation of Richard Wilbur's After the Last Bulletin.


 Marginalia” by Richard Wilbur is concerned with the parts of life that exist at the edge of our consciousness and how we are, everyday, affected by them.

2020 annual
elaborate on the role of physical senses specially visual and auditory senses in poetry of Richard Wilbur






Monday, 11 May 2020

Phonetics and phonology

https://youtu.be/_1MZYahh76M


Friday, 8 May 2020

Descriptive and Prescriptive linguistics

Wednesday, 6 May 2020

HISTORICAL LINGUISTICS



Linguistics is the scientific study of language. Synchronic linguistics studies a language's form at a fixed time in history, past or present. Diachronic, or historical, linguistics, on the other hand, investigates the way a language changes over time. The origin, growth and development of language is an important event in the life of the human race. Linguistics deals with this event.

The diachronic or historical linguistics is chiefly concerned with the growth of various languages or language as a whole through different periods of history. It divides this growth into different periods of progress, and describes them in its own manner. The various linguistic changes— phonological, grammatical and semantic—that have occurred in the past, are recorded in it. Just as history studies past events and happenings to throw light on the present social and political conditions, so linguistics studies changes and occurrences in language in the past so as to throw a light on, or account for, its present state. History is concerned with human beings; and so is language and linguistics. Thus, Linguistics and History are similar and thus become Historical Linguistics. It also forms a Typology – the classification of languages into different types; to find out how languages have developed; three areas of Comparative Historical Linguistics are of interest:
1.Language Changes,
2.Language Borrowings and
3. Establishment of Language Families.  The purpose of Historical linguistics has been summed by Saussure:


“Describe and trace the history of all observable languages and finding their families. To determine the forces at work in languages and deduce and the general laws to which all specific historical phenomenon can be reduced (language universals)”

1.Language Change,


Change is the law of Nature. Everything that exists on this earth, including human life and society, changes. Language changes because the society in which it is used, changes. Language is never static or stagnant. It is always in a state of flux which involves change. Change is inevitable in language but language changes are frequent, gradual, and often abrupt. What are the causes of change? The individual as well as society play a part in language change. The speech habits of one generation are based on those of the earlier one, and a change is likely to occur during the course of the acquisition of these habits by others. The rise of new concepts and discover) of new objects cause changes in the vocabulary, structure and sounds of a language. Geographical conditions also affect changes in the sound of a language.  Language changes because new concepts and discoveries are born, a huge migration takes place, a prestige is required so language is molded to suit new trends and also language changes because man is accustomed to least effort in speaking.  There are usually five types of changes in language: phonological, morphological, syntactical, semantic and lexical.

Phonological Change: One of the major sound changes in the history of the English language is the so-called Great Vowel Shift. In Middle English, spoken from 1100 to 1500, the word house was pronounced with the vowel sound of the modern English word boot, while boot was pronounced with the vowel sound of the modern English boat. The change that affected the pronunciation of house also affected the vowels of mouse, louse, and mouth. This illustrates an important principle of sound change. 

Morphological Change: An ongoing morphological change in English is the loss of the distinction between the nominative, or subject, form who and the accusative, or object, form whom. English speakers use both the who and whom forms for the object of a sentence, saying both “Who did you see?” and “Whom did you see?” The modern English word ‘stone’ has only three additional forms: the genitive singular ‘stone's’, the plural ‘stones’, and the genitive plural stones'. All three have the same pronunciation. In Old English they were different: stan, stanes, stanas, and stana, respectively. In addition, after certain prepositions, as in under stanum (under stones). 

Syntactic Change: In modern English, the basic word order is subject-verb-object, as in the sentence “I know John.” The only other possible word order is object-subject-verb, as in “John I know (but Mary I don't).” Old English, by contrast, allowed all possible word order permutations, including subject-object-verb, as in Gif hie ænigne feld secan wolden, literally meaning “If they any field to seek wished.”

Semantic and Lexical Change: In Middle English, the word nice usually had the meaning “foolish,” and sometimes “shy,” but never the modern meaning “pleasant.” Change in the meanings of words is semantic and can be viewed as part of the more general phenomenon of lexical change, or change in a language's vocabulary.






Historical Linguistics is the study of how languages change over time and the relationship among different languages. Historical Linguistics studies the process of language change, the ‘genetic’ relationship between languages and how best to classify languages into groups. Using biological analogy, the linguist studies that languages are genetically related and are called a Language Family

Other source
Historical linguistics is the study of not only the history of languages, as the name implies, but also the study of how languages change, and how languages are related to one another. It might seem at first that this would be a rather dull, uneventful field of study, but that is far from the truth. Historical linguistics is full of lively debate and controversy and occasionally some nasty words are thrown around.
The main job of historical linguists is to learn how languages are related. Generally, languages can be shown to be related by having a large number of words in common that were not borrowed (cognates).
Word borrowing:
Languages often borrow words from each other, but these are usually not too difficult to tell apart from other words. When a related group of languages has been studied in enough detail, it is possible to know almost exactly how most words, sounds, and grammar rules have changed in the languages.



Q2. LANGUAGE CHANGE
DIFFERENCE B/W SYNCHRONY N DIACRONY

Historical Linguistics:
Definition:
Historical linguistics is the study of language change. Language change is both obvious and rather mysterious. The English of the late fourteenth century, for example, is so different from Modern English that without special training it is difficult to understand the opening lines to The Romance of the Rose cited below.
Many men sayn that in sweveninges
Ther nys but fables and lesynges;
CHAUCER, THE ROMANCE OF THE ROSE (c. 1370)
The existence of such differences between early and later variants of the same language raises questions as to how and why languages change over time. The origin, growth and development of language is an important event in the life of the human race. Linguistics deals with this event. 
History of historical linguistics:
People have thought about the origin of languages for a long, long time. Like other early looks into nature and the universe, the early ideas about language where at best obvious (realizing that two very similar languages were related) or lucky guesses, at worst dead wrong, and almost always ethno-centric (only paying attention to nearby languages. This, of course, wasn't always their fault, since communication was so slow. However, for example, the Greeks simply considered most languages in Europe to be "Barbarian", even though there were certainly several distinct "Barbarian" languages).
One of the earliest observations about language was by the Romans. They noticed that Latin and Greek were similar. However, they incorrectly assumed that Latin came from Greek. The reality is that both came from Indo-European. More on that later.
There were lots of people looking at languages in the middle ages. However, most of them were trying to show Hebrew giving rise to all of the world's languages, specifically European languages. This never really worked, since Hebrew is not directly related to Indo-European languages.
When Europeans started travelling to India about 300 years ago, they noticed that Sanskrit, the ancient literary language of India, was similar to Greek, Latin, and other languages of Europe. In the late 18th century, it was first correctly theorized that Sanskrit and the languages of Europe had all come from the same language, but that that language was no longer living. This was the beginning of Indo-European. Since then, many languages from all over the world have been studied, and we are starting to get a good idea of how all the world's languages may be related.
Historical linguistics is concerned with both the description and explanation of language change.
Kinds of historical linguistics:

Linguistics is the scientific study of language. There are basically two types of study about the change in language.
Synchronic linguistics studies a language's form at a fixed time in history, past or present. Saussure proposed that language as a system of signs be studied as a complete system at any given point in time. Like chess, the important part of language is how pieces move and the positions of all pieces relative to one another. The shape of each piece is only important in that its potential can be recognized.
A synchronic relationship is one where two similar things exist at the same time.
Modern American English and British English have a synchronic relationship.
Diachronic, or historical, linguistics, on the other hand, investigates the way a language changes over time. Diachronic is the change in the meaning of words over time. For example in the way that 'magic' meant 'good' in youth culture for a period during the 1980s (and, to a lesser extent, beyond). It is thus the study of language in terms of how it visibly changes in usage. It is based in the dictionary meaning of words. 
A diachronic relationship is where related things exist separated by time.
12th century English and 21st century English have a diachronic relationship.
The diachronic or historical linguistics is chiefly concerned with the growth of various languages or language as a whole through different periods of history. It divides this growth into different periods of progress, and describes them in its own manner. The various linguistic changes— phonological, grammatical and semantic—that have occurred in the past, are recorded in it. Just as history studies past events and happenings to throw light on the present social and political conditions, so linguistics studies changes and occurrences in language in the past so as to throw a light on, or account for, its present state. History is concerned with human beings; and so is language and linguistics. Thus, Linguistics and History are similar and thus become Historical Linguistics. It also forms a Typology – the classification of languages into different types; to find out how languages have developed; The purpose of Historical linguistics has been summed by Saussure:
“Describe and trace the history of all observable languages and finding their families. To determine the forces at work in languages and deduce and the general laws to which all specific historical phenomenon can be reduced (language universals)”
Language is not static or stagnant:

Change is the law of Nature. Everything that exists on this earth, including human life and society, changes. Language changes because the society in which it is used, changes. Language is never static or stagnant. It is always in a state of flux which involves change. Change is inevitable in language but language changes are frequent, gradual, and often abrupt.
Causes of language change:
1.The individual as well as society play a part in language change. The speech habits of one generation are based on those of the earlier one, and a change is likely to occur during the course of the acquisition of these habits by others. 

2.The rise of new concepts and discovery of new objects cause changes in the vocabulary, structure and sounds of a language.

3.Geographical conditions also affect changes in the sound of a language.

4.Language changes because new concepts and discoveries are born, a huge migration takes place, a prestige is required so language is molded to suit new trends and also language changes because man is accustomed to least effort in speaking. 

There are usually five types of changes in language:
phonological, morphological, syntactical, semantic and lexical.
Phonological Change:
 One of the major sound changes in the history of the English language is the so-called Great Vowel Shift. In Middle English, spoken from 1100 to 1500, the word house was pronounced with the vowel sound of the modern English word boot, while boot was pronounced with the vowel sound of the modern English boat. The change that affected the pronunciation of house also affected the vowels of mouse, louse, and mouth. This illustrates an important principle of sound change. The Old English word hām [haːm] ‘home’ in the second sentence became [hɔːm] in Middle English, and then [howm] in Modern English.
Morphological Change: 
In its morphology, Old English differed significantly from Modern English. The suffix -an on the Old English word for ‘sent’ indicates both past tense and plurality of the subject ( hı̄ ‘they’). An ongoing morphological change in English is the loss of the distinction between the nominative, or subject, form who and the accusative, or object, form whom. English speakers use both the who and whom forms for the object of a sentence, saying both “Who did you see?” and “Whom did you see?” The modern English word ‘stone’ has only three additional forms: the genitive singular ‘stone's’, the plural ‘stones’, and the genitive plural stones'. All three have the same pronunciation. In Old English they were different: stan, stanes, stanas, and stana, respectively. In addition, after certain prepositions, as in under stanum (under stones).
Syntactic Change:
Differences in word order are also readily apparent, with the verb following both the subject and the direct object in the first sentence and preceding both the subject and the direct object in the second. Neither of these word orders would be acceptable in the Modern English forms of these sentences.
V S O
þa sende sē cyning þone disc
then sent the king the dish
‘Then the king sent the dish.’
In modern English, the basic word order is subject-verb-object, as in the sentence “I know John.” The only other possible word order is object-subject-verb, as in “John I know (but Mary I don't).” Old English, by contrast, allowed all possible word order permutations, including subject-object-verb, as in Gif hie ænigne feld secan wolden, literally meaning “If they any field to seek wished.”
Semantic and Lexical Change:
 In Middle English, the word nice usually had the meaning “foolish,” and sometimes “shy,” but never the modern meaning “pleasant.” Change in the meanings of words is semantic and can be viewed as part of the more general phenomenon of lexical change, or change in a language's vocabulary.
Semantic broadening 
is the process in which the meaning of a word becomes more general or more inclusive than its historically earlier form
bird ‘small fowl’ ‘any winged creature’
barn ‘place to store barley’ ‘farm building for storage and shelter’
aunt ‘father’s sister’ ‘father or mother’s sister’
Historical Linguistics is the study of how languages change over time and the relationship among different languages. Historical Linguistics studies the process of language change, the ‘genetic’ relationship between languages and how best to classify languages into groups. Using biological analogy, the linguist studies that languages are genetically related and are called a Language Family.
Other source
Historical linguistics is the study of not only the history of languages, as the name implies, but also the study of how languages change, and how languages are related to one another. It might seem at first that this would be a rather dull, uneventful field of study, but that is far from the truth. Historical linguistics is full of lively debate and controversy and occasionally some nasty words are thrown around.
The main job of historical linguists is to learn how languages are related. Generally, languages can be shown to be related by having a large number of words in common that were not borrowed (cognates).
Word borrowing:
Languages often borrow words from each other, but these are usually not too difficult to tell apart from other words. When a related group of languages has been studied in enough detail, it is possible to know almost exactly how most words, sounds, and grammar rules have changed in the languages.

What does Historical Linguistics study?

Historical Linguistics explores different aspects of language change. The most commonly studied areas in historical linguistics are:
1. Etymology: Studying the reconstruction and origin of words.
2. Analysis and description of multiple speech communities.
3. Tracing (as far as possible) the history of language. This includes Sanskrit, Latin, Old English, and also modern languages, such as German, Italian and Japanese. This process also involves grouping languages into categories, or “families”, according to the extent to which those languages are similar to each other.
4. Describing and analysing changes of any type which have occurred cross-linguistically and within a language itself. Languages can change in any area of language; phonology, syntax, morphology and orthography are only a few of the areas which could be considered.
5. The construction of a framework of theories which can account for how and why languages change.

Sub-fields

As is evident, the study of Historical Linguistics concerns many different topics. For this reason, it is comprised of different sub-fields.
· Comparative Philology (or Comparative Linguistics) concerns the comparison of cross-linguistic features in order to establish the relatedness of languages.
· Etymology concerns the study of word histories. This process may involve answering the following questions:
Why did a particular word enter the language in question?
Where does that word/root come from?
How has its orthographic, phonological and semantic value changed over time?
· Dialectology concerns the historical study of dialects. Features which are usually a matter for debate are grammatical variations between two dialects, and phonological changes within a dialect over time.
· Phonology concerns the study of the sound systems which exist (or have existed) in a specific language. Studies in phonology can also concern comparative approaches to language studies between different time periods, dialects and languages.
· Morphology/Syntax concerns how the means of expression of a language evolve over time. It is usually focused on inflectional systems, grammatical structures, and word order.


The History of Historical Linguistics



It is impossible to provide an exhaustive account of all of those who studied this field, however, a few will be outlined below:
Classical Antiquity (approximately 5th century B.C. – 5th century A.D.): some contributors were Plato, Herodotus, Varro and Quintilian. These thinkers, rather than approacing Historical Linguistics as a science, studied it in a more philosophical way, according to the customs of their times.
The Middle Ages (from around 410 A.D. to 1492 A.D.): amongst the most famous scholars are Donatus, Prician, Tatwine, Boniface, Bede and Ælfric. The majority of these authors, however, focussed mainly on the study Latin and (partially) Ancient Greek, which were used by the Church for religious and communicative purposes. Little attention was paid to scholarly improvements during the Middle Ages, due to the crisis caused by the fall of the Roman Empire.
The Renaissance and after (approximately from 1492 A.D. to the 17th century): some important figures in this period were Girolamo Aleandro, Aldus Manutius and Pierre Ramée. The Renaissance saw the revival of learning and therefore, scholarly advancements in the field were increasingly more common.
The Modern Period (from around the 17th century to the present times): the most important figures are William Jones, Philip Vezdin, Jacob Grimm, Wilhelm von Humboldt and Henry Sweet. This period saw scholarly advancements in the field of Philology, especially with regard to the study of Ancient languages such as Old English, Sanskrit and so on.
Nowadays, this field is constantly expanding and many more world-leading scholars are contributing to it. We can for example cite Richard Hogg and David Denison (as well as The University of Sheffield’s Mark Faulkner and Graham Williams!)

Why focus on the past?

One of the most common answers to this question is that from the past we can understand more about the present. Only by drawing on how a language has changed over time, we can understand why this language has its current grammatical structures or phonological rules.
However, this is not the only reasons why Historical Linguistics is interesting. It allows Linguists to compare different methodologies which have been used in the past and to evaluate which ones provide us with more information and are the most efficient. Historical Linguistics also allows Linguists to explore languages which do not exist anymore, such as Gothic, Old English, Latin, Sanskrit and so on.
It is fascinating to attempt to reconstruct how these languages might have sounded, and how they would have been written and used. Moreover, studying Historical Linguistics allows Linguists to inevitably learn more about the culture, customs, religion and literature of the language studied in question and to gain a diachronic perspective of such aspects. This is crucial as Languages have been greatly influenced by the culture of their speakers.
Finally, the fact that the field of Historical Linguistics exists is a sign that Linguistics is gradually becoming a very important subject – one which is worthy of attention.
As Robins affirms (1967: v), “the current interest shown by linguists in the past developments and the earlier history of their subject is in itself a sign of the maturity of linguistics as an academic discipline, quite apart from any practical applications of linguistic science”.