MOST IMPORTANT QUESTIONS (PRACTICAL CRITICISM)
POETICS BY ARISTOTLE
1. Aristotle's Theory of Tragedy
2. Difference Between Epic and Tragedy
3. Aristotle's Concept of Ideal Tragic Hero
4. Importance of Plot in Tragedy
5. Plot-Character Realtionship
6. Aristotle's Concept of Imitation
7. Aristotle's Concept of Hamartia
8. Aristotle's Concept of Cathersis
2. MODERN TRAGEDY BY RAYMOND WILLIAM
9. Critical Appreciation of 'Tradition and Tragedy'
10. Critical Appreciation of 'Tragedy and Contemporary Ideas'
11. Critical Appreciation of 'Rejection of Tragedy'
12. Raymond William's Concept of Tragedy
13. Tragic Hero From the Classical to the Modern Times
14. Raymond William As a Critic
3. CRITICAL PRACTICE BY BELSEY
15. Belsey's Arguments in Favour of Structural Criticism
16. Relationship Between Criticism and Commonsense
17. Deconstruction
18. Difference Between Dialectical and the Rhetorical Text
19. There is no Criticism Without Ideology
20. Belsey's Views on 'New Criticism'
4. TRADITIONAL & THE INDIVIDUAL TALENT BY T.S. ELIOT
21. T.S. Eliot's Concept of Tradition
22. T.S. Eliot's Defense of Classical Literature
23. T.S. Eliot's Theory of Criticism
24. Theory of Impersonality in Poetry
25. Relation Between Tradition and Individual Talent
26. T.S. Eliot As a Critic
5. AN APOLOGY FOR POETRY BY SIDNEY
27. Significance of the Title 'An Apology for Poetry
28. The Puritan Attack on Poetry
29. Sydney's Defense of Poetry
30. Sydney's Theory of Poetry
31. Sydney As a Critic
32. Sydney and Aristotle
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