Q: Discuss the themes, Symbols and Motifs in The Crucible

Q: Discuss the themes, Symbols and Motifs in The Crucible

Motifs

Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.

Empowerment

The witch trials empower several characters in the play who are previously marginalized in Salem society. In general, women occupy the lowest rung of male-dominated Salem and have few options in life. They work as servants for townsmen until they are old enough to be married off and have children of their own. In addition to being thus restricted, Abigail is also slave to John Proctor’s sexual whims—he strips away her innocence when he commits adultery with her, and he arouses her spiteful jealousy when he terminates their affair. Because the Puritans’ greatest fear is the defiance of God, Abigail’s accusations of witchcraft and devil-worship immediately command the attention of the court. By aligning herself, in the eyes of others, with God’s will, she gains power over society, as do the other girls in her pack, and her word becomes virtually unassailable, as do theirs. Tituba, whose status is lower than that of anyone else in the play by virtue of the fact that she is black, manages similarly to deflect blame from herself by accusing others.

INTOLERANCE

The Crucible is set in a theocratic society, in which the church and the state are one, and the religion is a strict, austere form of Protestantism known as Puritanism. Because of the theocratic nature of the society, moral laws and state laws are one and the same: sin and the status of an individual’s soul are matters of public concern. There is no room for deviation from social norms, since any individual whose private life doesn’t conform to the established moral laws represents a threat not only to the public good but also to the rule of God and true religion. In Salem, everything and everyone belongs to either God or the Devil; dissent is not merely unlawful, it is associated with satanic activity. This dichotomy functions as the underlying logic behind the witch trials. As Danforth says in Act III, “a person is either with this court or he must be counted against it.” The witch trials are the ultimate expression of intolerance (and hanging witches is the ultimate means of restoring the community’s purity); the trials brand all social deviants with the taint of devil-worship and thus necessitate their elimination from the community.

GOOD VERSUS EVIL

The major theme in the play is that of good versus evil. Based on the Salem witch trials of the late 17th century, The Crucible explores the fragility of a changing society and the difficulty of doing good in the face of evil and tremendous social pressures, both at the social and personal level. John Proctor, the protagonist of the play, is faced with the choice of accepting responsibility for his actions and doing the right thing. In a similar vein, society as a whole must deal with the challenge of doing good when threatened by evil, even when it comes with the stamp of law, authority, and social opinion.

The Importance of Reputation

In Salem, there is no such thing as a private act. Private sins are punished publicly. Church attendance is recorded publicly. Everything a citizen does is known by all. It is within this context that one's reputation becomes important. John Proctor recognizes this.

Proctor knows the girls are lying. He knows the trials are fraudulent, yet he withholds vital information in order to protect his reputation. In a town like Salem, an adulterous affair unleashes severe punishment and severe humiliation. Proctor's eventual confession is an integral part of his redemption. He realizes truth is more important than reputation.

He, of course, is not the only one worried about reputation. As Reverend Parris's daughter lies near death, he is concerned about how the girls dancing in the woods naked affects his reputation. He suspects Abigail's intentions, yet glosses over her faults because a relative of his having an affair with a married man would sully his reputation. In Act IV, Parris begs Danforth to suspend the trials, not because he wants justice, but he fears the townspeople.

Religion

Religion is woven into the everyday life of Salem inThe Crucible. The townsfolk practice a form of Christianity centered on a set of clearly defined rules: you go to church every Sunday, you don’t work on the Sabbath, you believe the Gospel, you respect the minister’s word like it is God’s, and so on.

For people accused of witchcraft, any deviation from these rules in the past can be used as evidence for much greater sins in the present. But ultimately, even good and respected and highly religious women like Rebecca Nurse are accused and put to death, so past respectability and religiosity doesn’t necessarily protect anyone.

Symbols

The Doll: The doll found on Elizabeth Proctor's shelf is a traditional symbol of voodoo and witchcraft. In The Crucible, the doll (as well as Rebecca Nurse) symbolizes the transformation of good to evil: dolls, in a normal society, represent childhood innocence and bring happiness. In Salem, dolls represent evil. This extends to the Puritan government and church, both being entrusted to protect its citizens, yet both doing the opposite.

John Proctor's Leaving the Courtroom: This occurs in the movie. After Proctor is accused of witchcraft, he runs into a small pond and with arms spread shouts, "God is dead." Proctor is in water, symbolic of baptism, and his arms are spread, symbolic of the Biblical Christ on the cross. Proctor sacrifices himself for the good of Salem and to honor those saints (Rebecca and Martha) who refuse to lie.

The Witch Trials: In addition to the similarities between McCarthyism and The Crucible already discussed, the trials symbolize the effect of intolerance, extremism, and hatred.

The Forest: Puritans believed that the forest was the devil's dominion. They failed to recognize, however, that Salem's evil and destruction came from within. The forest, therefore symbolizes the evil present in all humans.

The Stones: Giles Corey refuses to make an official plea in court. In order to persuade him to make a plea, officials of the court stack concrete stones on him and eventually crush him. The stones symbolize the weight of Salem's sins that are crushing the good in its society.