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THE OUTLINE OF
PAPERS:
PAPER 1
ISLAMIYAT
PAPER 2
POETRY 1(CLASSICAL POETRY)
PAPER 3
DRAMA 1
PAPER 4
NOVEL
PAPER 5
PAKISTANI LITERATURE IN ENGLISH
PAPER 6
APPLIED LINGUISTICS
PAPER 1 : ISLAMIAT
According to
university syllabus
PAPER 2: POETRY 1
SECTION:A
1. Geoffrey Chaucer : The prologue to the
Canterbury tales
2. Edmund Spenser : The Fairy Queen
3. John Donne: Love and Devine Problems
SECTION : B
1. John Milton: Paradise lost; book 1,2
2. John Dryden: Absalom and Achllophel
3. Alexander Pope: THE RAPE OF THE LOCK.
PAPER 3: DRAMA 1
SECTION A:TRAGEDY
1. Sophocles: Oedipus Ras
2. Christopher Mariowe: DR.Faustus
3. W. Shakespeare : hamlet
SECTION B: COMEDY
1. W. Shakespeare : THE MERCHANT OF VENICE
2. W. Conpreve : THE WAY OF THE WORLD
3. R.B. Sheridan : THE SCHOOL FOR SCANDAL
PAPER 4 : NOVEL
SECTION : A
1.
HENRY FIELDING : TOM JONES
2.
JANE AUSTEN : PRIDE AND PREJUDICE
3.
CHARLES DICKENS : GREAT EXPECTATIONS
4.
THOMAS HARDY : THE RETURN OF THE NATIVE
SECTION : B
1.
GEORGE ELLIOT : MIDDLE MARCH
2.
VIROINIA WOALF : TO THE LIGHT HOUSE
3.
E.M. FORSTER : A PASSAGE TO INDIA
4.
WILLIAM GOLDING : LORD OF THE FLIES
PAPER 5 : PAKISTAN
LITERATURE IN ENGLISH
A: NOVEL
1.
ICE-CANDY MAN (BAPSI SIDHWA)
2.
THE BOOK OF SALUDIN (TARIQ ALI)
3.
THE MURDER OF AZIZ KHAN (ZULFIQAR GHOSE)
B. DRAMA
1. MY BEAUTIFUL LAUNDRETTO (HANIF KUREISHI)
C: POETRY
1. EID,
PAKISTAN MOVEMENT MY ALAMGIR HASHMI
2. THE
ROAD BY HINN, FAISAL IMAM
3. WEDDING
IN THE FLOOD BY TAUFIQ RAFAT
D: SHORT STORY
1.
BINGO (TARIQ ROHMAN)
2.
THE LADY FINGER (SIKANDER MIR)
PAPER 6: APPLIED LINGUISTICS
1. INTRODUCTION:
1. PRINCIPLES
OF LINGUISTICS
2. CHRACTERISTICS
OF LINGUISTICS
3. LANGUAGE
AND THEORIES
4. MAJOR
THEMES IN LINGUISTICS
(A)
PHONETIC AND PHONOLOGY
(B)
MORPHOLOGY AND SYNTAX
(C)
SEMANTICS
5.
THE FOLLOWING BRANCHES OF LINGUISTICS
(A)
SYNCHRONIC AND DICHRONIC
(B)
GENERAL AND DESCRIPTIVE
(C)
APPLIED
(D)
HISTORICAL
(E)
COMPARATIVE
6.
THE FOLLOWING MODERN MOVEMENTS IN LINGUISTICS.
(A)
STRUCTURALISM
(B)
FUCTIONALISM
(C)
GENERALISM
7.
THE FOLLOWING INTENDISIPLINARY AREAS IN
LINGUISTICS
(A)
PSYCHOLINGUISTICS
(B)
SOCIOLINGUISTICS
(C)
ETHROLINGUISTICS
BOOKS
LYONS JOHN(1931) LANGUAGE AND LINGUISTICS INTRODUCTION
2. PHONETICS
THE FOLLOWING BRANCHES :
(A)
ARTICULATORY
(B)
ACOUSETIC
BOOKS
LADYFINGER
PETER(75) A COURSE IN PHONETICS
3. PHENOLOGY
THE FOLLOWING BRANCHES
(A)
SEGMENTAL PHONOLOGY
(B)
SUPRA-SEGMENTAL PHONOLOGY
(C)
PHONETIC TRANSCRIPTION (COMPULSORY 10 MARKS)
4. MORPHOLOGY
1.
MORPHENE AND MORPHOLOGY
2.
THE FOLLOWING TWO BRANCHES ARE
(A)
INFECTIONAL MORPHOLOGY
(B)
LEXICAL MORPHOLOGY
5. SYNTAX
1.
PHINISO STRUCTURE GRAMMER
2.
TRANSFORMATIONAL GENERATIVE GRAMMER
3.
AL FOUR TYPES OF TRANSFORMATIONAL RULES
(A)
DELETION
(B)
INSERTION, SUBSTITUITION
(C)
MOVEMENT
4.
UNIVERSAL GRAMMER
5.
SEMANTICS
1.
THE FOLLOWING TWO BRANCHES
(A)
PHILOSOPHICAL SEMANTIC
(B)
LEXICAL OR STRUCTURAL SEMANTICS
2.
THE FOLLOWING SENSE RELATIONS
(A)
HYPONOMY
(B)
SYNONOMY
(C)
PLOYSOMY
(D)
ANTONYMY
(E)
HOMONYMY
(F)
COLLOCATION
3.
GENARATIVE SEMANTICS
4.
SEMANTIC FIELD
5.
SPEECH ACT
6.
COMPONENTIAL ANALYSIS
7.
PRINCIPLES OF PRAGMATICS
8. APPLIED LINGUISTICS
1.
METHODS OF TEACHING
2.
ERROR ANALYSIS
3.
LANGUAGE TESTING
M.A ENGLISH PART 2 (FINAL)
PAPER 7 (ROMANTIC
AND MODERN POETRY)
SECTION : A
1.
WILLIAM WORDSWORTH : THE PRELUDE (TEXT OF
18O5)BOOK 1&2
2.
PERCY BYSSHE SHELLEY : (A) ODE TO THE WEST
WIND (B) ADONAIS
3.
JOHN KEATS : ODES
SECTION : B
1.
ROBERT BROWNING : PROPHYRIA’S LOVER , MY LAST
DUCHESS.
THE
BISHOP ORDERS HIS TOMB, FRA LIPPO LIPPI, ANDREA SARTO
2.
WILIAM BUTTLER YEATS : NO SECOND TROY, SEPTEMBER
1913
EASTER 1916, THE SECOND COMING, AMONG SCHOOL CHILDREN. LEPIS LAZULL, MEDITATION IN THE TIME OF CIVIL WAR, A
PRAY, MY DAUGHTER, SAILING TO BYZANTIUM, LEDA AND THE SWAN.
3.
THOMAS STEARN ELLIOT : THE LOVE SONG OF JANE
ALFRED PRULROCK, THE WASTE LAND
PAPER 8 : DRAMA 2
SECTION : A
1.
OSCAR WILD : THE IMPORTANCE OF BEING EARNEST
2.
IBSEN : THE WILD DUCK
3.
GEORGE BERNARD SHAW: PYGMALION
SECTION : B
1.
SAMUEL BACKETT : WAITING FOR GODOT
2.
JOHN OSBORNE : LOOK BACK IN ANGER
3.
HARLOD PINTER : THE CARETAKER
PAPER 9 : PROSE
SECTION : A
1.
FRANCIS BACON : ESSAYS(1625)
2.
JONATHAN SWIFT : GULIVER’S TRAVEL
3.
JOHN STUART MILL : ON LIBERTY
SECTION : B
1.
LYTTON STRATCHEY : THE EMINENT VICTORIAN
2.
BERTRAND RUSSEL : SCEPTICAL ESSAYS
PAPER 10 : CRITICISM
SECTION : A
1.
ARISTOTLE : THE POETICS
2.
DR. JOHNSON : THE PREACE TO SHAKESPEARE
3.
WILLIAM WORDSWORTH : PREFACE TO THE LYRICAL
BALLAD
4.
SAMUEL TAYLOR COLERIDE : BIOGRAPHIA LITERERIA
(CH: 16,17,18)
SECTION : B
1.
MATHEW ARNOLD : THE FUNCTION OF CRITICISM, THE
STUDY OF POETRY
2.
THOMAS STEARNS ELLIOT : TRADITIONAL AND
INDIVIDUAL TALENT, THE METAPHYSICAL POETS
3.
CLEANTH BROOKS : WELL WROUGHT UM, WORDSWORTH
& PARADOX OF THE IMAGINATION, KEATS SYLVAN HISTORIAN ; YEATS GREAT ROOTED
BLOSSOMER
PAPER 11 : AMERICAN LITERATURE
SECTION: A
1.
ROBERT FROST : THE MENDING WALL, HOME BURIAL,
BIRCHES, AFTER APPLE PICKING, AN OLD MAN’S WINTER NIGHT, STOPPING BY WOODS, THE
ROAD NOT TAKE …
2.
ARTHUR MILLER : DEATH OF A SALESMAN
3.
WILLIAM FAULKNER : SOUND AND THE FURY
SECTION: B
1.
WALLACE STEVENS : A HIGH TONED OLD CHRISTIAN
WOMAN, PETER QUINCE AT THE CLAVIER, THE GLASS OF WATER, DOMINATON OF BLACK, THE
EMPEROR OF ICE CREAM
2.
EUGENE O’NEIL : A LONG DAY’S JOURNEY INTO NIGHT
3.
EARNEST HEMINGWAY : A FAREWEELL TO ARMS
PAPER 12 : (OPTIONAL, SHORT STORY)
SECTION: A
1.
O’HENRY : AFTER TWENTY YEARS, THE COP &
ANTHEM,THE GREEN DOOR, THE LIGHT ROOM, TELEMEACHUS
2.
JAMES JOYCE :THE SISTERS, AN ENCOUNTER, ARABY,
EVELINE, A LITTLE CLOUD
3.
WILLIAM SOMERSET MAUGHAM : PRINCESS, SEPTEMBER,
EPISODE , THE KITE, A WOMAN OF FILLY
SECTION : B
1.
VICTOR SAWDON PRITCHETT : A DEBT OF HONOUR, THE
VOICE , BLIND LOVE, THE FIG TREE
2.
GUY DE MAUPASSANT : MADEMOISELLE FIFI, SIMON’S
PAPA, SUICIDE AFTER THE SPECTRE
3.
ANTON CHEKHOV : A DOCTOR’S VISIT, THE LADY WITH
THE PET DOG, IN THE CART, THE MAN IN THE SHELL
PAPER 12 (OPTIONAL,STYLISTICS)
1.
ARMS AND PERSPECTIVE
2.
THE FOLOWING CATEGORIES OF REGISTER
(A)
TENOR
(B)
MODEL
3.
ANALYSIS OF TEXT AT THE FOLLOWING THREE TRENDS
(A)
PHONOLOGY
(B)
LEXIS
(C)
SYNTAX
4.
THE FOLLOWING TWO STANDARDS OF TEXTUALITY
(A)
COHESION
(B) COHERENCE
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